Ricky George
Played by - George Ascroft
Age - 22
Address - 2 Park Avenue, SM6 2JQ, Surrey
Occupation - Plumber
Lives on his own and is a lonely guy, having just recently got out of a long term relationship with Natalie and is full of emotion that are counter hegemonic to the dominant male hegemony. He is sad and upset instead of the typical angry aggressive young male.
Natalie Smith
Played by - Siobhan Gormley
Age - 20
Address - 34 Link Lane, SM6 7TY
Occupation - Student
Lives with flatmates and just recently broke up with Ricky.
Here is an image of the two characters together. I will also use this image in my film as a memory for Ricky to look back on.
Saturday, 1 December 2012
Wednesday, 28 November 2012
Shot List
When filming I will make sure that I get lots of close ups of the star, not only to boost his recognition but also to show the emotion that the star is adding to the song. The song is emotional and therefore the character should show emotion as it fits the visuals with the lyrics and by the best way to do this is by using close up shots.
I will also use point of view shots from the stars view looking at the female actor. This complies with Goodwin's conventions about notions of looking from voyeuristic views.
I will include both shots of the two actors together and the star on his own in order to show a contrast and this can add to the emotional effect.
Here is a list of shots I plan to feature:
opening scene
- Opening movement from the sky down to a scene with star Ricky standing there on his own.
- Ricky walking around station from different angles
- Ricky leaning on a pole singing close up, side view and medium shot
change of scene
- cuts to house
- Ricky sitting there with Natalie
- close ups of the two staring at each other (fits with lyrics)
- Natalie leaves
- close up of Ricky upset
change of scene (chorus)
- Ricky walking down an alley way alone
- close up of Ricky leaning against a wall singing
- Ricky gets phone out
- close up of phone sending text, 'I miss you'
- shot of Ricky from behind walking away (fits with lyrics, 'you've got to walk away now')
change of scene
- cuts to Ricky in the park walking in front of the camera singing, relatively close up
- Ricky sitting on a bench singing, close ups, side view, medium shot
change of scene
- Ricky then sitting in a car with Natalie, point of view shot, (notions of looking)
- point of view shots back and forth from characters
- shot of Natalie leaving
change of scene (chorus)
- Ricky laying in bed upset
- close ups of his face showing emotion
- shots of Ricky walking back and forth in bis room thinking
- shot of Ricky looking at old picture of himself with Natalie as a memory
change of scene
- Long shot of ricky sitting in an empty stand
- cuts to close up of ricky in stand singing
- side view of ricky singing
- close up of ricky singing in stand again
- Long shot of the stand again
change of scene (final chorus)
- Ricky sitting in his house alone at a table
- Close up of Ricky showing he is upset
- Medium shot showing the picture he was looking at earlier disguised in the shot
- Close up of Ricky picking up picture
- Close up of Ricky looking at it
- Medium shot of him throwing it away, then getting up and walking off
Final Shot
- Extreme close up on picture of the two together as music fades out
I will also use point of view shots from the stars view looking at the female actor. This complies with Goodwin's conventions about notions of looking from voyeuristic views.
I will include both shots of the two actors together and the star on his own in order to show a contrast and this can add to the emotional effect.
Here is a list of shots I plan to feature:
opening scene
- Opening movement from the sky down to a scene with star Ricky standing there on his own.
- Ricky walking around station from different angles
- Ricky leaning on a pole singing close up, side view and medium shot
change of scene
- cuts to house
- Ricky sitting there with Natalie
- close ups of the two staring at each other (fits with lyrics)
- Natalie leaves
- close up of Ricky upset
change of scene (chorus)
- Ricky walking down an alley way alone
- close up of Ricky leaning against a wall singing
- Ricky gets phone out
- close up of phone sending text, 'I miss you'
- shot of Ricky from behind walking away (fits with lyrics, 'you've got to walk away now')
change of scene
- cuts to Ricky in the park walking in front of the camera singing, relatively close up
- Ricky sitting on a bench singing, close ups, side view, medium shot
change of scene
- Ricky then sitting in a car with Natalie, point of view shot, (notions of looking)
- point of view shots back and forth from characters
- shot of Natalie leaving
change of scene (chorus)
- Ricky laying in bed upset
- close ups of his face showing emotion
- shots of Ricky walking back and forth in bis room thinking
- shot of Ricky looking at old picture of himself with Natalie as a memory
change of scene
- Long shot of ricky sitting in an empty stand
- cuts to close up of ricky in stand singing
- side view of ricky singing
- close up of ricky singing in stand again
- Long shot of the stand again
change of scene (final chorus)
- Ricky sitting in his house alone at a table
- Close up of Ricky showing he is upset
- Medium shot showing the picture he was looking at earlier disguised in the shot
- Close up of Ricky picking up picture
- Close up of Ricky looking at it
- Medium shot of him throwing it away, then getting up and walking off
Final Shot
- Extreme close up on picture of the two together as music fades out
Tuesday, 27 November 2012
Props and location
For my media product I will need certain props in order to make my product seem more real.
- HD Camera
- Car
- Tripod
- Cheap-ish clothes
- Phone
I will need two characters for my music video, the star and then one female side character.
Also I looked at locations that I could film at using Google Earth. Here are some of the locations I will use.
Sutton Arena - for a shot of the star in the stands on his own singing.
Mellows Park - where I will have shots of the star singing whilst walking in the park and then eventually sitting down on a park bench singing on his own.
Georges road - where I can have him walking around lonely singing, I will also do some footage of him in his house on his own, suggesting that he is from the working class.
Tuesday, 13 November 2012
A2 Storyboard Animatic
I created a storyboard as part of my planning and from this produced an animatic that I will use as a guide when filming my project.
Wednesday, 10 October 2012
The Streets - Dry Your Eyes Mate Lyrics
In one single moment your whole life can turn around, I stand there for a minute staring straight into the ground.
Looking to the left slightly then looking back down the world feels like its caved in proper sorry frown.
Please let me show you how we could only just be for us, I can change and I can grow or we can adjust. The wicked thing about us is we always have trust.
We can even have an open relationship if we must.
I look at her, she stares almost straight back at me but her eyes glaze over like she's looking straight through me.
Then her eyes must have closed for what seems an eternity, when they opened up she's lookin down at her feet.
[Chorus]
Dry your eyes mate, I know it's hard to take but her mind has been made up.
There's plenty more fish in the sea.
Dry your eyes mate, I know you want to make her see how much this pain hurts, but you've got to walk away now, its over.
So then I moved my hand off and down by my side, shaking, my life is crashing before my eyes.
I turn the palm of my hand up to face the skies, touched the bottom of her chin and let out a sigh.
Because I can't imagine my life without you and me, there's things I can't imagine doing, things I can't imagine seeing.
It weren't supposed to be easy, surely, please please, I'm begging, please.
She brings her hands up towards where my hands rested she wraps her fingers around mine with the softness she's blessed with.
She peels away my fingers looks at me and then gestures, by pushing my hand away to my chest from hers.
[Chorus]
Dry your eyes mate, I know it's hard to take but her mind has been made up.
There's plenty more fish in the sea.
Dry your eyes mate, I know you want to make her see how much this pain hurts, but you've got to walk away now, its over.
I know in the past I've found it hard to say, telling you things but not telling you straight. But the more I pull on your hand the more you pull away.
Dry your eyes mate, I know it's hard to take but her mind has been made up.
There's plenty more fish in the sea.
Dry your eyes mate, I know you want to make her see how much this pain hurts, but you've got to walk away now.
Looking to the left slightly then looking back down the world feels like its caved in proper sorry frown.
Please let me show you how we could only just be for us, I can change and I can grow or we can adjust. The wicked thing about us is we always have trust.
We can even have an open relationship if we must.
I look at her, she stares almost straight back at me but her eyes glaze over like she's looking straight through me.
Then her eyes must have closed for what seems an eternity, when they opened up she's lookin down at her feet.
[Chorus]
Dry your eyes mate, I know it's hard to take but her mind has been made up.
There's plenty more fish in the sea.
Dry your eyes mate, I know you want to make her see how much this pain hurts, but you've got to walk away now, its over.
So then I moved my hand off and down by my side, shaking, my life is crashing before my eyes.
I turn the palm of my hand up to face the skies, touched the bottom of her chin and let out a sigh.
Because I can't imagine my life without you and me, there's things I can't imagine doing, things I can't imagine seeing.
It weren't supposed to be easy, surely, please please, I'm begging, please.
She brings her hands up towards where my hands rested she wraps her fingers around mine with the softness she's blessed with.
She peels away my fingers looks at me and then gestures, by pushing my hand away to my chest from hers.
[Chorus]
Dry your eyes mate, I know it's hard to take but her mind has been made up.
There's plenty more fish in the sea.
Dry your eyes mate, I know you want to make her see how much this pain hurts, but you've got to walk away now, its over.
I know in the past I've found it hard to say, telling you things but not telling you straight. But the more I pull on your hand the more you pull away.
Dry your eyes mate, I know it's hard to take but her mind has been made up.
There's plenty more fish in the sea.
Dry your eyes mate, I know you want to make her see how much this pain hurts, but you've got to walk away now.
Thursday, 4 October 2012
E-mail to owners of the song
I decided I wanted to use the song, Dry Your Eyes by The Streets for my music video. This video gave me ideas of how and where to film whilst complying with Goodwin's 6 conventions using the resources available to me. However I needed to obtain permission to use the song from the owners of the rights to the song.
679 Artists - a part of the main distributor - Warner Music group
As this group holds the rights to the song I need to request permission to use the song in order to avoid any copyright issues, so I sent this E-mail.
To 679 Artists,
I am an A level media student and for my coursework project for this year I am required to shoot a music video. Looking at the criteria I have decided what song would work best for me and you own the rights to that song.
Therefore I request permission to use the following song for my coursework piece.
Dry Your Eyes - by The Streets
My video would be used for educational purposes only and would not damage the brand label in any way. It would be much appreciated if you could give me permission to use this song for my video.
Sincerely,
Jacob Paul
679 Artists - a part of the main distributor - Warner Music group
As this group holds the rights to the song I need to request permission to use the song in order to avoid any copyright issues, so I sent this E-mail.
To 679 Artists,
I am an A level media student and for my coursework project for this year I am required to shoot a music video. Looking at the criteria I have decided what song would work best for me and you own the rights to that song.
Therefore I request permission to use the following song for my coursework piece.
Dry Your Eyes - by The Streets
My video would be used for educational purposes only and would not damage the brand label in any way. It would be much appreciated if you could give me permission to use this song for my video.
Sincerely,
Jacob Paul
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